A little while back I posted a photo of my new Pan Pastel colors. I've gotten a chance to use them, and have found them quite handy.
First, these colors are all useful—which is not something I say about many of the Pan Pastel colors because they are not all well suited for horses. The orange shade looks a little odd at first, but once it's part of the coat it softens to a nice, bright addition to chestnuts, palominos, buckskins and bays. I think of is as more of a golden tone than orange when the model is finished.
Second, they are easy to use—no sandpaper palette needed, no huge-jar-o-dust waiting to spill. The pans work with both paintbrushes and Microbrush applicators for small details like leg bars and dorsal stripes.
Third, the colors work well together and blend well. For example, on this model I used the Burnt Sienna Extra Dark to deepen a few areas I had dusted with the Burnt Sienna Shade.
So... these new Pan Pastel colors definitely have a place in my s…
This little mule sports a roached mane and a bell tail—both made with soft hair. I think I might’ve started with Native Dancer (my favorite G1 mold). He’s been airbrushed and sprayed with Krylon. He was painted on my patio in San Diego where the weather was almost-always perfect for airbrushing outside.
I lived in Boise, Idaho for 17 years, and let me just say that the Intermountain West has many wonderful things to do, but model horse shows weren't often one of them. Our model horse club held shows for many years, and I occasionally traveled to North Idaho, Washington, Oregon, and Utah for a show or held a show myself.
So I am excited to be in the Midwest! Where showing is going strong—so much so that show tables spaces often fill up quickly.