Skip to main content

New Stablemate Molds

Mirado by Maggie Bennett, Cob by Sommer Prosser, and Running Mare by Kitty Cantrell

I’m excited about the new Stablemate molds that are now a little easier to find! You may find both the Cob (in the surprise pack) and the Running Mare (part of a mystery foal set with the Andalusian and G4 Standing Foal) in stores, while Mirado is a 2017 Stablemate Collectors Club model.
Mirado mold with Andalusian tracing
At first glance, I thought Mirado was a little long in the back, but then I looked at photos of Andalusian horses and found him to be a wonderful fit for that breed. Here is a tracing of a real horse (in blue) over the model.

Some thoughts on customizing this mold would be to look at his nostrils—maybe they could be more open because he is cantering; and his front pasterns might need a little cleaning up.


Cob Mold with Glypsy Vanner Tracing 

The little Cob horse is a cutie that we first saw as a Christmas ornament. I have traced a Gypsy Vanner horse over his photo, and other than an odd camera angle (my apologies) he is a nice choice, although I wish his head had a little more width.

If you are looking to customize this guy, you might want to think about how a breeze might  affect his mane, tail and feathers—would they all blow the same direction? Or if your custom is romping in the pasture, is his motion causing a little mane whirlwind? Look into evening up his nostrils, one is higher than the other. If you’re up for a little close inspection, take a look at his forearms vs. cannon bones. His feathers have made his cannon bones chunky, while his right inside forearm needs more muscle—you may not want him to look like he has Popeye arms. You may want to even up how much of each hoof is showing from under the feathers (to me, the two left feet show more hoof than the right).

Running Mare with Arabian yearling tracing
The Running Mare has a slight build, long legs, and a long mane and tail and I’ve been on the lookout for a model to customize into an Arabian, so I’ve traced a photo of an Arabian yearling over a picture of this model. While the leg length was in the ballpark, I found that she’d need a little more girth and a more delicate head to make this project work.

As for customizing, this gal might be a boon or a challenge—I haven't decided yet. She is small, so swapping out her head for a smaller one didn’t pan out for me—G1 heads were about the same size. And once I removed the three forelocks, I found that the mare’s eyes don’t line up—the left is lower than the right. With long legs, I’d encourage artists to check that her legs didn't get bent in transit. Check the bottoms of her hooves and sand them flat, check her legs for missing details at the joints or pasterns in need of a little clean up.

Comments

Popular Posts

New Pan Pastels - An Update

A little while back I posted a photo of my new Pan Pastel colors. I've gotten a chance to use them, and have found them quite handy.      First, these colors are all useful—which is not something I say about many of the Pan Pastel colors because they are not all well suited for horses. The orange shade looks a little odd at first, but once it's part of the coat it softens to a nice, bright addition to chestnuts, palominos, buckskins and bays. I think of is as more of a golden tone than orange when the model is finished.      Second, they are easy to use—no sandpaper palette needed, no huge-jar-o-dust waiting to spill. The pans work with both paintbrushes and Microbrush applicators for small details like leg bars and dorsal stripes.     Third, the colors work well together and blend well. For example, on this model I used the Burnt Sienna Extra Dark to deepen a few areas I had dusted with the Burnt Sienna Shade. So... these new Pan Pastel colors definitely have a plac

A Golden bay in Pan Pastels

I thought I'd share a bit of my process. I'm working in Pan Pastels. The model in question is a simple custom Morgan Stallion from the new standing Stablemate Warmblood mold. He has had some work done on his barrel and hindquarters. His mane and tail have been changed as well.  I prepped him with Rustoleum 2X primer in white and taped off some white markings with blue painters tape. Feel free to follow along and paint your own golden bay or liver chestnut.  A Pan Pastel Project Art Supplies Shopping list: A model with sanded seams and logo removed 400 Grit Sandpaper Masking or painters tape (optional) Rustolem 2X Primer Pan Pastels: 280.3 Orange Shade, 820.2 Neutral Grey Extra Dark (or other neutral grey), Layer 3: 740.3 Burnt Sienna Shade, 740.1 Burnt Sienna Extra Dark, 800.5 Black. Pan Pastel optional colors for shading mane, tail, and white markings: Optional fleshy pink pastel or paint for a pink nose or shading white markings. Krylon Matte, Testor's Dullcote, or other

Performance Bases with Kinetic Sand

I am getting ready for the Save The Tigers Model Horse Show on Saturday, and I thought I'd spiff up my performance entries a little with arena bases. My goals here were to keep to a small budget and a manageable size. For the first one, I found a wall hanging at Walmart—a picture frame without glass or a matte for about $5.00. I removed the hook from the back so it would lie flat on the table and a clip from the front. I also found a 3 lb. bag of kinetic sand for $13.00. (Regular sand can be done, but I usually make a mess of it.) Honestly, I'm a little worried about sand scratching my models, but it does look neat. The fence is made of hobby wood (the small Popsicle sticks) and is removable for easy, flat storage. It stands 1 3/4 inches above the edge of the arena. Just a note, I steer clear of balsa wood because it is so fragile. Picture frame base about 6 x 8.5 inches. 3 lbs of kinetic sand isn't a lot. Quick! Unlike regular sand, kinetic sand h