Skip to main content

National Retro Vintage Month (NaReViMo)

Meet Harlem Road, an American Saddlebred Stallion!

 

I'm doing National Retro Vintage Month (NaReViMo)! Every August artists come together (on Facebook) to complete one custom in the vintage or retro custom style. Hosted by Sarah Minkiewicz- Breunig, the group can be found here: https://www.facebook.com/groups/694618414328297

My project is a G1 Saddlebred, a mold that has always made me smile ever since I discovered Stablemates in the late 1980's. (And is also on my website's list of Stablemate molds in need of a custom: https://sarahtregay.com/smmolds.html

I've moved the head a little bit, replaced the ears and added to the tail. Right now I'm in the prepping stage:

G1 ASB in progress


I'm trying out an old technique that I used to make new ears around 1990. I was an industrial design major at RIT and as part of the program we made models of products out of plastic. The plastic started out as flat sheets and could be heated to form different shapes.

 

I used this plastic to make mule ears on this vintage Traditional-scale girl:

Long story short, what a great way to celebrate NaReViMo than digging up an old technique. Here is the much smaller ears glued into a cut in the neck:

 

I'm planning on trying a little handpainting with acrylics to finish up this model. More soon!

Painting on mapping in acrylics

I’m revisiting some old ideas for this paint job. First up is creating the mapping and cat tracks by painting them the color of the markings which is black. My model is inspired by a stallion named Snowy Harlem. http://www.snowyharlem.com/media.


Mapping knocked back

The second step for the mapping was to spray it with primer. Here I used Duplicolor white to fade the mapping and spots.

Starting to paint


Handpainting with acrylics was both fun and little frustrating. Pastels blend easier and don't dry before I'm done. This challenge was wonderful. I was inspired by the other artist's work and dedication. A huge thank you to the group and Sarah Minkiewicz-Breunig for making it happen!
 


Comments

Popular Posts

New Pan Pastels - An Update

A little while back I posted a photo of my new Pan Pastel colors. I've gotten a chance to use them, and have found them quite handy.      First, these colors are all useful—which is not something I say about many of the Pan Pastel colors because they are not all well suited for horses. The orange shade looks a little odd at first, but once it's part of the coat it softens to a nice, bright addition to chestnuts, palominos, buckskins and bays. I think of is as more of a golden tone than orange when the model is finished.      Second, they are easy to use—no sandpaper palette needed, no huge-jar-o-dust waiting to spill. The pans work with both paintbrushes and Microbrush applicators for small details like leg bars and dorsal stripes.     Third, the colors work well together and blend well. For example, on this model I used the Burnt Sienna Extra Dark to deepen a few areas I had dusted with the Burnt Sienna Shade. So... these new Pan Pastel colors definitely have a plac

A Golden bay in Pan Pastels

I thought I'd share a bit of my process. I'm working in Pan Pastels. The model in question is a simple custom Morgan Stallion from the new standing Stablemate Warmblood mold. He has had some work done on his barrel and hindquarters. His mane and tail have been changed as well.  I prepped him with Rustoleum 2X primer in white and taped off some white markings with blue painters tape. Feel free to follow along and paint your own golden bay or liver chestnut.  A Pan Pastel Project Art Supplies Shopping list: A model with sanded seams and logo removed 400 Grit Sandpaper Masking or painters tape (optional) Rustolem 2X Primer Pan Pastels: 280.3 Orange Shade, 820.2 Neutral Grey Extra Dark (or other neutral grey), Layer 3: 740.3 Burnt Sienna Shade, 740.1 Burnt Sienna Extra Dark, 800.5 Black. Pan Pastel optional colors for shading mane, tail, and white markings: Optional fleshy pink pastel or paint for a pink nose or shading white markings. Krylon Matte, Testor's Dullcote, or other

Performance Bases with Kinetic Sand

I am getting ready for the Save The Tigers Model Horse Show on Saturday, and I thought I'd spiff up my performance entries a little with arena bases. My goals here were to keep to a small budget and a manageable size. For the first one, I found a wall hanging at Walmart—a picture frame without glass or a matte for about $5.00. I removed the hook from the back so it would lie flat on the table and a clip from the front. I also found a 3 lb. bag of kinetic sand for $13.00. (Regular sand can be done, but I usually make a mess of it.) Honestly, I'm a little worried about sand scratching my models, but it does look neat. The fence is made of hobby wood (the small Popsicle sticks) and is removable for easy, flat storage. It stands 1 3/4 inches above the edge of the arena. Just a note, I steer clear of balsa wood because it is so fragile. Picture frame base about 6 x 8.5 inches. 3 lbs of kinetic sand isn't a lot. Quick! Unlike regular sand, kinetic sand h